This Week: Your hosts Audy and Elvin are joined by their friends and fellow cinephiles,Bryant Foster and Warren James. First all four guys review Edgar Wright's new Heist/Comedy crime film 'Baby Driver' - Elvin, Warren and Bryant all give it a Hell Yeah because of its combination of visceral action scenes and usage of music, whereas Audy thought Edgar Wright was trying to hard to replicate Quentin Tarentino,and was a pale imitation to a much superior same genre movie 'Drive. Next Audy, conducts an exit survey of Baby Driver by asking questions to the rest of the panelists, such as exactly "On a scale of 1 to 10 how punchable is Ansel Egort's face?". Then Lastly, Warren, Audy and Elvin review the Columbia Pictures/Marvel Studios joint venture - "Spiderman: Homecoming. Warren and Elvin gave it a "Hell Yeah" review, while Audy gave it a "Hell No" and felt that Spider-man deserved a better movie than what was given with the disjointed action scenes, banal music score along with very rough amateur direction from Jon Watts.
This Week: Your favorite movie reviewers and podcasts hosts are back! and ready to kick in to gear the summer movies of 2018. First they review Universal Studio's reboot "The Mummy" Audy thought it was a complete waste of Sofia Boutella's talents, while Elvin thought the Dark Universe is off to a miserable start. Then they review the summer movies thus far and try to pinpoint just why movies like Alien Covenant and Guardians of the Galaxy just failed short of expectations and why dumb ass movies like Baywatch and Pirates 5 still get greenlit. Afterwards, they review Wonder Woman. Elvin praises the film saying its the "purest superhero movie since the original Christopher Reeves Superman. Next the fellas discuss the promising news of Joss Whedon taking over the Justice League movie and the implications it has on the DC Universe movie forward and Lastly -- The fellas split on "It Comes at Night" Elvin thought the movie was one gigantic false advertisement from peviews to screen, whereas Audy really appreciated its accomplished masterwork on a small budget to achieve its psychological and symbolic scope convincingly.
This Week: The fellas are joined by special guest and resident horror movie critic Sulla Black from trashtuesday.com and Wolf Wheel Productions. First off the bat, all three hosts review the 2017 Best Picture Nominee, neo-noir western Hell or High Water starring Jeff Bridges, Chris Pine and Ben Foster. Audy gave it a Top 10 best film's of last year rating, while Elvin thought it was good but slow and Sulla just not feeling it as it derived too much off No Country For Old Men. Next, Sulla puts his foot up Hollywood's ass for its dire need to get political during award shows in his "The Hills Are Burning" Segment. Then the fellas review M. Night Shyamalan's Blumhouse Production collaboration horror film Split, starring James McAvoy. Elvin and Sulla liked it and claimed Shyamalan was back, while Audy thought it was another exercise of hack work direction of the nth degree! Lastly, Sulla and Audy, rave about Denis Villeneuve's sci-fi, human condition/alien case study Arrival starring Amy Adams. Audy gave it a Hell Yeah, another Top 10 picture, and Sulla gave it a rare 4 stars review!
This Week: Academy Awards nominations are LIT!!! The fellas are joined this week by guest co-host none other then the show's producer, Jessica Elliott aka Peety Draws, to talk about the Academy Award nominations. First Audy and Elvin review Kenneth Longeran's Best Picture Nominee Manchester By The Sea. Audy felt it was just "fine" like a slice of cheese pizza, saggy in its own misery, while Elvin thought its dry humor missed the mark. Next, the fellas try to decipher Ben Affleck's stepping down as director from Warner Brother's stand alone movie The Batman. Afterwards, Jessica comes on with the hosts to determine what all the La La Land hype is about, if it's overrated or really is good as it looks. Lastly, all three hosts breakdown the top six Academy Award categories (Best Actor/Actress, Best Supporting Actor/Actress, Best Director and Best Picture) and break down each by "Who should win, Who they want to win, and Who will the academy choose."
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This week, Audy and Elvin dive right into the awards season and review three black prestige films that put #oscarssowhite on its ass! First, the fellas review the NASA biographical drama Hidden Figures. Both Audy and Elvin gave it a 3 Stars: Hell Yeah, but question the movie's merits on whether it's good enough to be nominated for Best Picture or not. Then they pay respects and pour an intergalactic 40oz out for Princess Leia (Carrie Fisher) and reflect on her legacy. Next, the fellas review Denzel Washington's Fences, and walk away amazed by its gripping, wrenching performances from its lead actors. After that, the fellas review Kevin Costner's performance in Hidden Figures and determine if he finally has earned his "Hood Pass." Lastly, your hosts split on Barry Jenkins, humanistic, coming of age, examination of sexual identity picture, Moonlight. Audy gave it a Hell Yeah, top 10 rating but Elvin was less enthused with its ambiguous emotional narrative.
This week Elvin is on vacation with the worst Wi-Fi in the history of free hotel rooms and Audy is battling the worst cold since Matt Damon in Contagion. They decided to overcome some technical difficulties and put together another great podcast for your listening pleasure. First the fellas review Rogue One: A Star Wars Story. While Audy praised the film from a character driven standpoint, Elvin was much less enthused but still rewarded the movie based upon its execution even though we already know how it ends. Following Assassin's Creed horrible box office performance, the hosts try to theorize on exactly why "videogames can't get their shit together" when it comes to film adaption. And lastly, they end the podcast with a review of the star-driven Sci-Fi, space romance thriller, Passengers, starring Chris Pratt and Jennifer Lawrence.
Episode 15: Audy and Elvin are back for the fall season and ready to get back into the swing of things! First off they review The Girl on the Train and tell you how long it takes for it to go off the rails. Audy wonders who in their right mind would buy a house with a railway that passes in the backyard. Next they split on Birth of a Nation. Elvin, gives it a "hell yeah" go see it, while Audy has mild trepidation with its moments of brilliance, but uneven film direction. Then, it's all about the latest Rogue One trailer. Audy has already deemed it the "greatest Jedi movie ever, not to star any Jedi", While Elvin feels this one could really separate itself from the other Star Wars films. Lastly, the fellas both give The Accountant a "hell yeah" rating, with Ben Affleck channeling his best Batman C.P.A. to offset the movie's failure to stick the landing after a superb start.
This week: Squad goals! And no we're not talking Taylor Swift! Your favorite movie critics discuss the Warner Bros/DC hype beast, Suicide Squad. Audy struggled with the disjointed film and internal decision-making turmoil that created the final cut between David Ayer and Warner Bros., while Elvin gave the film an unprecedented rating from the strong leads of Will Smith and Margot Robbie. Also, the fellas bring on their friend and fellow cinephile, Bryant Foster, to discuss if Suicide Squad delivered the anticipatory hype, what the next step for this franchise is, and where the hell the artist formally known as Joker was in the whole movie.
This week your two favorite and handsome cinephiles split on Star Trek Beyond's episodically written, placid, action melodrama, but agree that while Matt Damon's Jason Bourne made a somewhat convincing comeback, it did nothing to reinvigorate the franchise with its predictable storyline. Next the fellas review 2016 San Diego Comic-Con and talk about the winners, losers and everything in between. Lastly, they decide if they want to answer the Ghostbusters' call to reboot worthiness behind Paul Feig's much needed improved upon direction.
This week your favorite movie reviewers give a solid appreciation to James Wan's good but toothless 'The Conjuring 2.' Then they discuss the buddy cop co-dependent viability The Rock and Kevin Hart need from one another to make 'Central Intelligence' passable. Afterwards, they assess if the rest of the summer is in bad shape for the movie industry and finally, slam the uber stupid magic kitsch-fest of 'Now You See Me 2.'
Audy and Elvin debate over the alpha dog chemistry of The Nice Guys, then discuss Bryan Singer's allegorical slapdash of the 12 different sub-genres that made up X-men: Apocalypse and finally gush over the savage energy of The Jungle Book. Also the fellas discuss Daniel Craig possibly leaving James Bond and who could fill those large blue-eyed shoes.
Audy and Elvin discuss which team wore the Marvel Championship Belt better - Team Captain America or Team Iron-guy. Then they review the varying degrees of George Clooney's handsome face and how it hinders your plot in the toothless thrill Money Monster. Lastly, the fellas try to decipher just where in the hell all of the new Ghostbusters reboot hate is coming from. Also: Cinema Report Card with letter grades of all the Avengers' Civil War characters.
Movie reviews for The Big Short, Bridge of Spies, The Room
Movie reviews for Spotlight, The Hateful Eight, The Revenant
Movie review for Star Wars - The Force Awakens
Movie reviews for Spectre, The Assassin, Sicario
This episode, Audy Christianos and Elvin Jones disagree about the utilization of horror (or lack of thereof) that Guillermo Del Toro chose for the haunted estate in Crimson Peak, then try to determine just how stupid Vin Diesel’s nerd passion project, The Last Witch Hunter, really is. Lastly, they debate if Rosemary’s Baby is a deserved classic or flatly overrated.
Movie reviews for The Walk, The Martian, Beasts of No Nation
Movie reviews for The Man from U.N.C.L.E, Straight Outta Compton, American Ultra
Movie reviews for Ant-Man, Trainwreck, and Mission Impossible: Rogue Nation